Introduction

What is The New Yorker? I know it’s a great magazine and that it’s a tremendous source of pleasure in my life. But what exactly is it? This blog’s premise is that The New Yorker is a work of art, as worthy of comment and analysis as, say, Keats’s “Ode on a Grecian Urn.” Each week I review one or more aspects of the magazine’s latest issue. I suppose it’s possible to describe and analyze an entire issue, but I prefer to keep my reviews brief, and so I usually focus on just one or two pieces, to explore in each the signature style of its author. A piece by Nick Paumgarten is not like a piece by Jill Lepore, and neither is like a piece by Ian Frazier. One could not mistake Collins for Seabrook, or Bilger for Goldfield, or Mogelson for Kolbert. Each has found a style, and it is that style that I respond to as I read, and want to understand and describe.

Tuesday, December 29, 2020

Best of 2020: Illustrations

Illustration by Leo Espinosa, from Bill Buford's "Good Bread"
 














Here are my favorite New Yorker illustrations of 2020:

1. Leo Espinosa’s illustration for Bill Buford’s “Good Bread,” April 13, 2020 (see above).

2. Andy Friedman’s illustrations for his “The Return of Kathleen Edwards” (newyorker.com, August 8, 2020).










3. Barry Blitt’s “Is It Time to Change the President?” (November 16, 2020).












4. Sergiy Maidukov’s illustration for Sarah Larson’s “Podcast Dept.” (November 23, 2020).










5. Bill Bragg’s illustration for Caleb Crain’s “City Limits” (April 27, 2020).












6. Cristiana Couceiro’s illustration for Steve Smith’s “New Music” (January 27, 2020).











7. Ilya Milstein’s illustration for Adam Gopnik’s “Black, No Sugar” (April 27, 2020).












8. João Fazenda’s illustration for Michael Schulman’s “Ruins” (May 25, 2020).


















9. Leonardo Santamaria’s illustration for Rachel Syme’s “On Television: The Queen’s Gambit” (November 30, 2020).











10. Byron Eggenshwiler’s illustration for Anthony Lane’s “Overseas Operations” (June 29, 2020).



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