The New Yorker & Me: 42 Days Alone

Introduction

What is The New Yorker? I know it’s a great magazine and that it’s a tremendous source of pleasure in my life. But what exactly is it? This blog’s premise is that The New Yorker is a work of art, as worthy of comment and analysis as, say, Keats’s “Ode on a Grecian Urn.” Each week I review one or more aspects of the magazine’s latest issue. I suppose it’s possible to describe and analyze an entire issue, but I prefer to keep my reviews brief, and so I usually focus on just one or two pieces, to explore in each the signature style of its author. A piece by Nick Paumgarten is not like a piece by Jill Lepore, and neither is like a piece by Ian Frazier. One could not mistake Collins for Seabrook, or Bilger for Galchen, or Mogelson for Kolbert. Each has found a style, and it is that style that I respond to as I read, and want to understand and describe.

Showing posts with label 42 Days Alone. Show all posts

Showing posts with label 42 Days Alone. Show all posts

Wednesday, February 4, 2026

Kevin Wild's Superb "42 Days Alone"

This is just a quick note on Kevin Wild’s exhilarating seven-hour-forty-seven-minute YouTube video 42 Days Alone: A Perilous 650 km Solo Journey Across the Labrador Wilderness. I’m currently immersed in it. I’m on Day 23. “Immersion” is the right word for the experience of watching this incredible documentary. Wild’s skilful camerawork (including breathtaking drone footage) and sound recording put me right there with him in his seemingly indestructible red Prospector canoe as he paddles wild rivers and lakes, portages over boulder-strewn land thick with willow, runs menacing rapids, and battles blood-thirsty hordes of mosquitoes and black flies. Along the way, he sees bears, moose, caribou, eagles, lynx, and the aurora borealis. He catches trout. He camps, makes fires, cooks, swims, and every now and then has a taste of whiskey to celebrate the completion of a particularly arduous stage of his journey. Wild is an excellent canoeist and outdoorsman. His commentary is always intelligent and illuminating. The rugged, magnificent Labrador landscape he travels through is wild to the limits of the term. This is the best wilderness travel video I’ve ever seen. Highly recommended.

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READINGS

Adam Shoalts, "Beyond the Trees" (2019)
Adam Shoalts, "Where the Falcon Flies" (2025)
Adam Weymouth, "Kings of the Yukon" (2018)
Aleksandar Hemon, "The Book of My Lives" (2013)
Andrea Barrett, "Dust and Light" (2025)
Anne Enright, "Attention" (2026)
August Kleinzahler, "Sallies, Romps, Portraits and Send-Offs" (2017)
Ben McGrath, "Riverman" (2022)
Bill Buford, "Dirt" (2020)
Burkhard Bilger, "Fatherland" (2023)
C. K. Williams, "On Whitman" (2010)
Charles Simic, "The Life of Images" (2015)
Colm Tóibín, "On Elizabeth Bishop" (2015)
Curtis Sittenfeld, "Show Don't Tell" (2025)
Curtis Sittenfeld, "You Think It, I'll Say It" (2018)
Eleanor Cook, "Elizabeth Bishop at Work" (2016)
Geoff Dyer, "Otherwise Known as the Human Condition" (2011)
Geoff Dyer, "See/Saw" (2021)
Geoff Dyer, "The Last Days of Roger Federer" (2022)
Geoff Dyer, "The Street Philosophy of Garry Winogrand" (2018)
Geoff Dyer, "White Sands" (2016)
Gideon Lewis-Krauss, "A Sense of Direction" (2012)
Helen Vendler, "Inhabit the Poem" (2025)
Helen Vendler, "Last Looks, Last Books" (2010)
Helen Vendler, "The Ocean, the Bird and the Scholar" (2015)
Ian Frazier, "Hogs Wild" (2016)
Ian Frazier, "Paradise Bronx" (2024)
Ian Frazier, "The Snakes That Ate Florida" (2026)
Ian Frazier, "Travels in Siberia" (2010)
Ian Penman, "It Gets Me Home, This Curving Track" (2019)
James Wolcott, "Critical Mass" (2013)
James Wood, "Serious Noticing" (2019)
James Wood, "The Fun Stuff" (2012)
James Wood, "The Nearest Thing to Life" (2015)
Janet Malcolm, "Forty-one False Starts" (2013)
Janet Malcolm, "Iphigenia in Forest Hills" (2011)
Janet Malcolm, "Nobody's Looking at You" (2019)
Janet Malcolm, "Still Pictures" (2023)
Jill Lepore, "Joe Gould's Teeth" (2015)
Jill Lepore, "The Deadline" (2023)
Joanna Biggs, "A Life of One's Own" (2023)
John Lahr, "Joy Ride" (2015)
John McPhee, "Draft No. 4" (2017)
John McPhee, "Silk Parachute" (2010)
John McPhee, "Tabula Rasa" (2023)
John McPhee, "The Patch" (2018)
John Updike, "Always Looking" (2012)
John Updike, "Higher Gossip" (2011)
Jonathan Franzen, "The End of the End of the Earth" (2018)
Jonathan Kramnick, "Criticism & Truth" (2023)
Jonathan Raban, "Driving Home" (2010)
Joyce Carol Oates, "In Rough Country" (2010)
Judith Thurman, "A Left-Handed Woman" (2022)
Julian Bell, "Van Gogh" (2015)
Keith Gessen, "A Terrible Country" (2018)
Lawrence Osborne, "The Wet and the Dry" (2013)
Leo Steinberg, "Picasso" (2022)
Mark Doty, "The Art of Description" (2010)
Martin Amis, "The Rub of Time" (2018)
Michael Hofmann, "Where Have You Been?" (2014)
Morten Strøksnes, "Shark Drunk" (2018)
Nicholson Baker, "Finding a Likeness" (2024)
Nicholson Baker, "The Way the World Works" (2012)
Patrick McGuinness, "Other People's Countries" (2014)
Per Petterson, "I Curse the River of Time" (2010)
Peter Hessler, "Strange Stones" (2013)
Peter Schjeldahl, "Hot, Cold, Heavy, Light" (2019)
Peter Schjeldahl, "The Art of Dying" (2024)
Robert Hass, "What Light Can Do" (2012)
Robert Macfarlane, "Is a River Alive?" (2025)
Robert Macfarlane, "The Old Ways" (2012)
Robert Sullivan, "Double Exposure" (2024)
Roger Angell, "This Old Man" (2015)
Samanth Subramanian, "Following Fish" (2010)
Sanford Schwartz, "Artist Stories" (2025)
Svetlana Alpers, "Is Art History?" (2024)
Svetlana Alpers, "Walker Evans" (2020)
T. J. Clark, "Heaven on Earth" (2018)
T. J. Clark, "If These Apples Should Fall" (2022)
T. J. Clark, "Picasso and Truth" (2013)
T. J. Clark, "Those Passions" (2025)
Timothy Hampton, "Bob Dylan: How the Songs Work" (2019)
Verlyn Klinkenborg, "More Scenes from the Rural Life" (2013)
Wayne Koestenbaum, "My 1980s & Other Essays" (2013)
William Atkins, "The Moor" (2014)
Zadie Smith, "Feel Free" (2018)