Introduction

What is The New Yorker? I know it’s a great magazine and that it’s a tremendous source of pleasure in my life. But what exactly is it? This blog’s premise is that The New Yorker is a work of art, as worthy of comment and analysis as, say, Keats’s “Ode on a Grecian Urn.” Each week I review one or more aspects of the magazine’s latest issue. I suppose it’s possible to describe and analyze an entire issue, but I prefer to keep my reviews brief, and so I usually focus on just one or two pieces, to explore in each the signature style of its author. A piece by Nick Paumgarten is not like a piece by Jill Lepore, and neither is like a piece by Ian Frazier. One could not mistake Collins for Seabrook, or Bilger for Galchen, or Mogelson for Kolbert. Each has found a style, and it is that style that I respond to as I read, and want to understand and describe.

Showing posts with label Pola Maneli. Show all posts
Showing posts with label Pola Maneli. Show all posts

Saturday, December 25, 2021

Best of 2021: Illustrations












Here are my favorite New Yorker illustrations of 2021: 

1. Sam Alden's illustration for Ann Patchett's "Flight Plan," August 2, 2021 (see above);

2. Andrea Ventura's portrait of Tom Stoppard for Anthony Lane's "O Lucky Man!" (March 1, 2021);










3. Javi Aznarez's illustration for Ruth Franklin's "Into the Void" (September 13, 2021);












4. Cristiana Couceiro's illustration for Joshua Yaffa's "Five-Month Plan" (February 8, 2021);












5. Javier Jaén’s illustration for Gary Shteyngart’s “My Gentile Region” (October 11, 2021);








6. Pola Maneli's portrait of Pharoah Sanders for Hua Hsu's "The New Thing" (March 29, 2021);












7. Golden Cosmos’s illustration for Daniel Alarcón’s “The Collapse of Arecibo” (April 5, 2021);







8. Jorge Colombo's illustration for Rivka Galchen's "Better Than a Balloon" (February 15 & 22, 2021);











9. Toma Vagner's illustration for Alex Ross's "Grinding Bass" (December 13, 2021);











10. Cecilia Carstedt's portrait of Adele for Carrie Battan's "Imperfect Union" (December 6, 2021).