I’ve previously commented on the connection between
“journey” and “journalism.” They both share the same sematic root, “jour,”
which is French for “day” – a day’s travel, the record of a day’s experience. But
the connection is more than just sematic. The best journalism, for me, involves
travel – an excursion of some sort, whether it’s a hike on the Great Wall of
China (Peter Hessler’s ("Walking the Wall"), say, or a tour of the Birkenstock
factory in Görlitz, Germany
(Rebecca Mead’s "Sole Cycle"), or a boat trip in New York Harbor to look
for seals (Ian Frazier’s "Back to the Harbor"). Nick Paumgarten has taken me
(vicariously, of course) on many a great trip – Atlantic City ("The Death and Life of Atlantic City"), Berlin ("Berlin Nights"), Interlaken ("The Manic Mountain"), Seseña ("The Hangover"), Governors Island ("Useless Beauty"), on
and on. His superb "Life Is Rescues," in this week’s issue, travels to Iceland
and spends time with the volunteer search-and-rescue team known as Landsbjörg.
Paumgarten visits the headquarters of one of Landsbjörg’s crews, accompanies it
on a patrol, and camps with it at a highland site called Landmannalaugar:
Bright-colored campers’ tents—say, a hundred—dotted the
basin, like so many tulips. At the far edge of the settlement was a pair of old
army-green school buses, which had been converted into a makeshift store called
the Mountain Mall. Next to them was the Landsbjörg hut, a wooden box of two
hundred and fifty square feet, with four bunks, a kitchenette, a card table,
and scant remaining floor space. Ten was a tight fit. The crew spent the next
several hours unloading supplies, setting up the kitchen tent, and getting the
cabin ready. It never got dark.
He also observes a rescue – three people in a car, another
perched on its roof, stuck in a river:
Katrin’s first two attempts to drag out the Kia failed. The
angle was wrong. She turned the Toyota around, and they let out a winch, which
was attached to the front of the truck. Elvar had found a hook. They hitched up
the Kia and reeled it in, like a salmon. Water came pouring out, followed by
the three soaked Lebanese.
The crew ministered to them, giving them blankets and food,
transferring their luggage to the van. The Kia wouldn’t start, so the team
pushed it off to the side and called in a tow truck. The electrical system was
toast, but they refrained from mentioning this fact, or that the engine might
be ruined, too, and that this would probably cost the family upward of ten
thousand dollars. The family had been through enough. The team made them some
space in the hut. It was nearly midnight by the time the gang got back to their
card game.
Paumgarten has a great eye for detail. His noticing of the
bananas hanging in the Landsbjörg camp kitchen is inspired:
On a row of plastic hangers someone had hung the team’s
bananas. Each hanger held two bunches. I stood looking at this, in admiration
and wonder. Iceland.
“Life Is Rescues” is one of Paumgarten’s best pieces. I
enjoyed it immensely.
Postscript: The hanging bananas are shown in a wonderful
Benjamin Lowy photo illustrating the newyorker.com version of “Life Is Rescues.”
It’s my choice for New Yorker photo
of the year.
|
Benjamin Lowy, "Kitchen Tent" |
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