Illustration by Tom Bachtell |
Wednesday, December 28, 2016
Best of 2016: Talk
Here are my favorite “Talk of the Town” pieces of 2016 (with
a choice quote from each in brackets):
1. Laura Parker, “Bee’s Knees,” March 21, 2016 (“She dunked
the bee in a tiny bottle containing her special blend of ‘bee shampoo’: a few
drops of archival soap and deionized water. She held the bottle up to the light
and gave it a firm swirl. One of No. 1’s legs fell off. ‘She’s old, she’s
tired—she’s falling apart,’ Doering said”).
2. Ian Frazier, “Body Phrases,” August 22, 2016 (“The
tactful steps of dancers trying not to disturb were small and beguiling
choreographies in themselves. A soft step-step-step-step, head down, with torso
bent; then longer quiet strides in the open, toward the elevator up ahead”).
3. Ian Frazier, “Connected,” January 25, 2016 (“By design,
the Link has no flat surfaces on which you can leave, say, an almost-empty
Pabst bottle in a wrinkled paper bag. These Superman booths still have the
little shelf beside the phone and always will. Their small privacy will still
vibrate, occasionally, with the old lonesome pay-phone emotions of our former
lives. The Links, savvier about human entanglements, will not”).
4. Mark Singer, “Sleight of No Hands,” February 8 & 15,
2016 [“Somehow—Jay’s biography, though it comes as close as any source to
explaining the how of how, still leaves a reader at the intersection of belief
and disbelief—he did magic (specialty: cups-and-balls), played several
instruments (dulcimer, trumpet, flute), trick-shot with pistols, demonstrated
exquisite ball control at skittles, danced the hornpipe on his leather-encased
stumps, married four times, and sired fourteen children (proof, as Jay noted in
Learned Pigs and Fireproof Women, of
‘one fully operative appendage’)”].
5. Tad Friend, “The Undead,” November 21, 2016 (“ ‘One
reason Gabriel was so excited was because he was going to a hotel with
her, away from the kids,’ Muldoon said. ‘The Wellington Monument they ride past
is by any reckoning a phallic symbol.’ He nudged his wife. ‘You’re on your own
with that one,’ Korelitz said”).
6. Tad Friend, “Framing,” September 5, 2016 (“She passed a
Caribbean woman who was pushing an old white woman in a wheelchair and bending
low to murmur to her charge. The caregiver’s teeth were widely separated, like
a baby’s. ‘I love that woman’s teeth!’ Johnson cried. ‘If we weren’t going to
get iced coffee I would go find a way to film her.’ As she walked on, she kept
turning to look back”).
7. Mark Singer, “Bank Shot,” September 26, 2016 [“When he
arrived at Eyebeam, the immediate challenge was to center the logo of American
Eagle Savings Bank on the cover of Theories
of Business Behavior, by Joseph William McGuire (formerly in the collection
of the Cloud County Junior College Library, of Concordia, Kansas)”].
8. Ian Frazier, “Don’t Tread On Me,” October 3, 2016 (“He
ordered a decaf espresso and asked the waiter to top it off with Sambuca. A
smell of licorice rose”).
9. Tad Friend, “Out of Character,” August 29, 2016 (“Foster,
thirty-five, is the character actor’s character actor: his body a grenade, his
face the pin”).
10. Eric Lach, “Fire Starter,” January 18, 2016 (“Hickory
will make a house smell like a ski lodge. Cherry is prized for the way it crackles
and pops in a fireplace”).
Credit: The above illustration, by Tom Bachtell, is from
Laura Parker’s “Bee’s Knees” (The New
Yorker, March 21, 2016).
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