Postscript: A portion of Iphigenia in Forest Hills was originally published in the May 3, 2010, New Yorker (see here).
Monday, October 3, 2016
Minna Zallman Proctor on Janet Malcolm's "Iphigenia in Forest Hills"
Minna Zallman Proctor, in her “The Law of
Uncertainty” (Bookforum, Summer
2016), quotes Janet Malcolm’s great Iphigenia
in Forest Hills [“If any profession (apart from the novelist’s) is in the
business of making things up, it is the profession of the trial lawyer”] and
says, “The justice system will operate under the auspices of competing
fabrications and decidedly will not provide the truth equation for the crime.” Proctor
appears to accept Malcolm’s theory that “a trial is a contest between competing
narratives” (Iphigenia in Forest Hills).
This is a very literary way of looking at trials. Another way – more realistic,
in my opinion – is to view the trial as a matter of proof. If the prosecution
is able to prove all the elements of the alleged offense beyond a reasonable
doubt, the accused will be found guilty. In other words, narrative,
schmarrative.
Proctor is on firmer ground when she writes,
Throughout her investigative work, from one villainous
bramble to the next, Malcolm is brilliant and irresistibly vexing. For her,
observable truth lies not in the collection and skillful organization of facts
but in the reliable complexity and inexplicableness of human behavior.
I agree. As Malcolm memorably says of Borukhova in Iphigenia in Forest Hills, “She couldn’t
have done it and she must’ve done it.”
Postscript: A portion of Iphigenia in Forest Hills was originally published in the May 3, 2010, New Yorker (see here).
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