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| Riccardo Vecchio, "The Fugitive" (Detail) |
The New Yorker is, of course, a great read. But it’s also an immense pleasure to look at. From 2014’s rich yield of New Yorker photos and illustrations, I’ve chosen twelve favorites:
1. David Black’s “Seu Jorge” (“Goings On About Town,” November
17, 2014)
2. Bendik Kaltenborn’s “The New Music Bake Sale” (“Goings On
About Town,” March 17, 2014)
3. Pari Dukovic’s “Scarlett Johansson” (for Anthony Lane’s
“Her Again,” March 24, 2014)
4. Michael Gillette’s “Jo Nesbø” (for Lee Siegel’s “Pure
Evil,” May 12, 2014)
5. Grant Cornett’s “Jason Mleczko” (for Tad Friend’s
“Thicker Than Water,” February 10, 2014)
6. Riccardo Vecchio’s “Elizabeth Harrower” (for James Wood’s
“No Time For Lies,” October 20, 2014)
7. Ethan Levitas’s “Hospitality and Pannonia Quartet”
(“Goings On About Town,” February 3, 2014)
8. Leo Espinosa’s “The Office Through the Ages” (for Jill
Lepore’s “Away From My Desk,” May 12, 2014)
9. Dan Winters’s “Pardis Sabeti and Stephen Gire” (for
Richard Preston’s “The Ebola Wars,” October 27, 2014)
10. Edwin Fotheringham’s “The Trip to Italy” (for David
Denby’s “Lasting Impressions,” September 1, 2014)
11. Carolyn Drake’s “Anya Fernald” (for Dana Goodyear’s “Élite
Meat,” November 3, 2014)
12. Conor Langton’s “Magic in the Moonlight” (for David
Denby’s “Under the Spell,” July 28, 2014)
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