Another piece in this week’s issue that I enjoyed immensely is Joseph Mitchell’s “A Day in the Branch,” a fragment of a memoir found in his papers after he died in 1996. It’s a reminiscence of his time growing up in North Carolina when he spent many of his days roaming a wild swamp river called the Pittman Mill Branch. He says of the river, “I would walk slowly and keep looking into the water, studying it. The water mesmerized me….” Reading that brought to mind the great opening paragraph of his classic “The Rivermen” (The New Yorker, April 4, 1959; included in his 1992 collection Up in the Old Hotel), in which he says, “I often feel drawn to the Hudson River, and I have spent a lot of time through the years poking around the part of it that flows past the city. I never get tired of looking at it; it hypnotizes me.” “A Day in the Branch” shows the roots of Mitchell’s deep appreciation of the Hudson – the youthful days he spent pleasurably hanging around the Pittman Mill Branch, walking it, smelling it, fishing it, swimming in it, climbing its trees, sometimes pretending he was a bobcat.
Monday, December 8, 2014
December 1, 2014 Issue
Recently, I’ve read some amazing New Yorker medical pieces – Jerome Groopman’s “Print
Thyself” and “The Transformation,” Richard Preston’s “The Ebola Wars” – but
Emily Eakin’s “The Excrement Experiment,” in this week’s issue, is one of the
damnedest things I’ve ever read. It’s about treating disease with fecal
microbiota transplants (FMT). It’s the type of subject that’s so novel and
arresting that the reporter is well advised to just get out of the way and let
the facts speak for themselves. That’s what Eakin does. Along the way, she
generates interesting, slightly surreal sentences such as, “In September, Leach
gave himself a fecal transplant with the aid of a turkey baster and a bemused
Hadza man, who served as his donor.” Eakin’s “Celluloid Hero” (The New Yorker, October 31, 2011) made
my “Best of 2011” list. “The Excrement Experiment” may well be a “Best of 2014”
contender.
Another piece in this week’s issue that I enjoyed immensely is Joseph Mitchell’s “A Day in the Branch,” a fragment of a memoir found in his papers after he died in 1996. It’s a reminiscence of his time growing up in North Carolina when he spent many of his days roaming a wild swamp river called the Pittman Mill Branch. He says of the river, “I would walk slowly and keep looking into the water, studying it. The water mesmerized me….” Reading that brought to mind the great opening paragraph of his classic “The Rivermen” (The New Yorker, April 4, 1959; included in his 1992 collection Up in the Old Hotel), in which he says, “I often feel drawn to the Hudson River, and I have spent a lot of time through the years poking around the part of it that flows past the city. I never get tired of looking at it; it hypnotizes me.” “A Day in the Branch” shows the roots of Mitchell’s deep appreciation of the Hudson – the youthful days he spent pleasurably hanging around the Pittman Mill Branch, walking it, smelling it, fishing it, swimming in it, climbing its trees, sometimes pretending he was a bobcat.
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