Inspiration – that “shimmer of exact details” (in Nabokov’s
memorable phrase) – is one of the essential ingredients of great writing. What
passages in this week’s issue bear the mark of inspiration? I find at least
three:
A tiny park mouse frantically circled the flower-box
perimeters. To the west, the night sky was lit up with L.E.D. slingshot
helicopters, set aloft by hawkers on the Square. – Hannah Goldfield,
“Tables For Two: The Pavilion Market Café”
Unlike the work of Beckett, who has obviously had a large
influence on him, Kelman’s writing has almost no metaphysical dimension, as
though metaphysics were offensively luxurious—brocade for the bourgeois. There
is an atmosphere of gnarling paranoia, imprisoned minimalism, the boredom of
survival. – James Wood, “Away Thinking About Things”
One great pleasure of the Bowl is the sense of a spell being
cast, and it happened here: in the third movement of the Mahler, when a ghostly
klezmer band files by, seven thousand leaned in, their red wine and grilled
chicken neglected, their motionless heads etched by the light pouring off the
stage. – Alex Ross, “Under the Stars”
Postscript: My admiration for Michael Specter’s work continues to grow. His “Seeds of Doubt,” in this week’s issue, is a masterly dissection of Vandana Shiva’s emotional arguments against genetically modified crops. Specter not only quotes scientific studies (e.g., “According to a recent study by the Flemish Institutue for Biotechnology, there has been a sevenfold reduction in the use of pesticide since the introduction of Bt cotton; the number of cases of pesticide poisoning has fallen by nearly ninety percent”); he also talks to farmers (“The first thing the cotton farmers I visited wanted to discuss, though, was their improved health and that of their families. Before Bt genes were inserted into cotton, they would typically spray their crops with powerful chemicals dozens of times each season”). Specter’s use of evidence to lance Shiva’s arguments is impressive. His conclusion that Shiva’s statements “are rarely supported by data, and her positions often seem more like those of an end-of-days mystic than those of a scientist” appears irrefutable.
Postscript: My admiration for Michael Specter’s work continues to grow. His “Seeds of Doubt,” in this week’s issue, is a masterly dissection of Vandana Shiva’s emotional arguments against genetically modified crops. Specter not only quotes scientific studies (e.g., “According to a recent study by the Flemish Institutue for Biotechnology, there has been a sevenfold reduction in the use of pesticide since the introduction of Bt cotton; the number of cases of pesticide poisoning has fallen by nearly ninety percent”); he also talks to farmers (“The first thing the cotton farmers I visited wanted to discuss, though, was their improved health and that of their families. Before Bt genes were inserted into cotton, they would typically spray their crops with powerful chemicals dozens of times each season”). Specter’s use of evidence to lance Shiva’s arguments is impressive. His conclusion that Shiva’s statements “are rarely supported by data, and her positions often seem more like those of an end-of-days mystic than those of a scientist” appears irrefutable.
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