Introduction

What is The New Yorker? I know it’s a great magazine and that it’s a tremendous source of pleasure in my life. But what exactly is it? This blog’s premise is that The New Yorker is a work of art, as worthy of comment and analysis as, say, Keats’s “Ode on a Grecian Urn.” Each week I review one or more aspects of the magazine’s latest issue. I suppose it’s possible to describe and analyze an entire issue, but I prefer to keep my reviews brief, and so I usually focus on just one or two pieces, to explore in each the signature style of its author. A piece by Nick Paumgarten is not like a piece by Jill Lepore, and neither is like a piece by Ian Frazier. One could not mistake Collins for Seabrook, or Bilger for Galchen, or Mogelson for Kolbert. Each has found a style, and it is that style that I respond to as I read, and want to understand and describe.

Thursday, November 21, 2024

Postscript: Sandra M. Gilbert 1936 - 2024

I see in the Times that Sandra M. Gilbert has died. She wrote one of my favorite literary studies – Acts of Attention: The Poems of D. H. Lawrence (1972). She held that “descriptive attention” is at the heart of Lawrence’s style. She called him “a poet of pure attention.” She said,

For him the poem is a perceptual experience that the poet himself – and the reader along with him – must undergo, an act of attention whose purpose is epistemological: discovery through a certain process of attention, and the process or experience of discovery is as much the subject of the poem as the ostensible subject itself.

The poem as an act of attention is a brilliant notion. Lawrence conceived it. Gilbert explored and developed it. In doing so, she made a valuable contribution to literary criticism. 

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