Introduction

What is The New Yorker? I know it’s a great magazine and that it’s a tremendous source of pleasure in my life. But what exactly is it? This blog’s premise is that The New Yorker is a work of art, as worthy of comment and analysis as, say, Keats’s “Ode on a Grecian Urn.” Each week I review one or more aspects of the magazine’s latest issue. I suppose it’s possible to describe and analyze an entire issue, but I prefer to keep my reviews brief, and so I usually focus on just one or two pieces, to explore in each the signature style of its author. A piece by Nick Paumgarten is not like a piece by Jill Lepore, and neither is like a piece by Ian Frazier. One could not mistake Collins for Seabrook, or Bilger for Goldfield, or Mogelson for Kolbert. Each has found a style, and it is that style that I respond to as I read, and want to understand and describe.

Thursday, March 14, 2024

Acts of Seeing: Birch Chandelier

Photo by John MacDougall














Rained yesterday. Temperature dropped below zero. Everything encased in ice. This morning the sun came out. Woods turned to crystal. There’s a path that runs along the edge of John Arch’s Pond to the beach. I went in there. Bent-over birches like fabulous chandeliers. Branches fused in cascading luminosity. What a scene! I couldn’t get enough of it. By afternoon the ice melted. Trees dripped water. Scene dissolved. 

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