Norton Townshend Dodge (Photo from andrewsolomon.com) |
I’m collecting John McPhee mustaches. So far I have six:
1. Scott Parker: “Tall, with a dark and gyroscopic mustache” (“The Ships of Port Revel”);
2. Norton Townshend Dodge: “With his grand odobene mustache, he had everything but the tusks” (The Ransom of Russian Art);
3. Vernon McLaughlin: “A man built strong and square-shouldered, with a large head, a regal paunch, an equitable mustache, and eyes that gleam with fun and anger” (Looking for a Ship);
4. Mel Adams: “Mel is tall and lanky, fed in the middle but lithe in the legs. He has a sincere mustache, a trig goatee, and a slow, clear, frank, and friendly Ozark voice” (“Tight-Assed River”);
5. Tom Armstrong: “Of medium height and strongly built, he has a precise, navigational mustache” (“Tight-Assed River”);
6. Dick Eisfeller: “Bald, bluejeaned, wearing white running shoes, he had a round face, an amiable mustache, a significant corporation" (“Coal Train”);
And these:
"The district’s conductors were all men. There were not a few speckled beards, and mustaches large enough to resemble the lower halves of crossing signs" (“Coal Train”);
"There was a lot of Mephistophelian facial hair – the caterpillar sideburns, the full beard, the mustache as bilateral semaphore" (“Coal Train”).
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