Introduction

What is The New Yorker? I know it’s a great magazine and that it’s a tremendous source of pleasure in my life. But what exactly is it? This blog’s premise is that The New Yorker is a work of art, as worthy of comment and analysis as, say, Keats’s “Ode on a Grecian Urn.” Each week I review one or more aspects of the magazine’s latest issue. I suppose it’s possible to describe and analyze an entire issue, but I prefer to keep my reviews brief, and so I usually focus on just one or two pieces, to explore in each the signature style of its author. A piece by Nick Paumgarten is not like a piece by Jill Lepore, and neither is like a piece by Ian Frazier. One could not mistake Collins for Seabrook, or Bilger for Galchen, or Mogelson for Kolbert. Each has found a style, and it is that style that I respond to as I read, and want to understand and describe.

Sunday, September 13, 2020

First Person Perfect


Photo by Alice Zoo, from Rebecca Mead's "Going for the Cold"



















There’s a type of narrative sentence I find irresistible. Example: “One day, I went to Athens and met Joe Corn, a senior wildlife biologist for SCWDS, who has trapped and studied thousands of wild hogs” (Ian Frazier, “Hogs Wild”). Now, that might strike you as fairly mundane. You were probably expecting something with a bit more pizazz. But pizazz is not what this kind of sentence is about. Here’s another one: “Later that day, I crowded, together with what seemed like the entire remaining population of Reykjavik, into Ingólfstorg square to watch the Iceland-Austria match” (Adam Gopnik, “Cool Running”). That’s a shade more exotic than Frazier’s “wild hogs” line, but it still has the three main ingredients I relish: first-person pronoun (“I”), active verb (“crowded”), and specific nouns (“Reykjavik,” “Ingólfstorg square,” “Iceland-Austria match”). Often one or more of the nouns is a place name. As a means of jump-starting an account of an interesting experience, such sentences are unbeatable. I read them and think, Let’s go! Here are a few examples from recent New Yorker pieces:

Not long after sunrise on a gray Halloween morning, I joined the members of the Kenwood Ladies’ Pond Association for a celebratory swim and breakfast. – Rebecca Mead, “Going for the Cold”

A little after midnight, while Hunter was still in jail, I swung by Thirty-eighth and Chicago, where people were still congregating. – Luke Mogelson, “The Uprising”

On a cool Monday morning in May, I met Fidel at the Church of the Good Shepherd, an austere gray stone building with red doors on the corner of Fourth Avenue and the Bay Ridge Parkway. – Jonathan Blitzer, “Higher Calling”

One crisp, bright morning in February, I walked along a brook just outside the center of Davos, toward the headquarters of the Swiss Institute for Snow and Avalanche Research. – James Somers, “Cold War”

In November, just before the first snows shut down access to the Whites, I made a final trip to the Schulman Grove. – Alex Ross, “The Bristlecones Speak”

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