Introduction

What is The New Yorker? I know it’s a great magazine and that it’s a tremendous source of pleasure in my life. But what exactly is it? This blog’s premise is that The New Yorker is a work of art, as worthy of comment and analysis as, say, Keats’s “Ode on a Grecian Urn.” Each week I review one or more aspects of the magazine’s latest issue. I suppose it’s possible to describe and analyze an entire issue, but I prefer to keep my reviews brief, and so I usually focus on just one or two pieces, to explore in each the signature style of its author. A piece by Nick Paumgarten is not like a piece by Jill Lepore, and neither is like a piece by Ian Frazier. One could not mistake Collins for Seabrook, or Bilger for Galchen, or Mogelson for Kolbert. Each has found a style, and it is that style that I respond to as I read, and want to understand and describe.

Friday, November 23, 2018

The New York Times' "100 Notable Books of 2018": Two Serious Omissions


I’m pleased to see that one of my favorite books of 2018 – Zadie Smith’s essay collection Feel Free – made The New York Times“100 Notable Books of 2018.” Smith’s book includes four New Yorker pieces: “Brother from Another Mother” (February 23, 2015); “Some Notes on Attunement” (December 17, 2012); “Crazy They Call Me” (March 6, 2017); and “A Bird of Few Words” (June 19, 2017).

But I’m puzzled that an equally delectable essay collection, Lorrie Moore’s See What Can Be Done (2018), is omitted. Moore’s book contains, among many excellent pieces, five New Yorker articles: “Legal Aide” (April 23 & 30, 2001); “Bioperversity” (May 19, 2003); “Wizards” (September 12, 2011); “Lena Dunham: Unwatchable in the Best Way” (March 17, 2012); and “Canada Dry” (May 21, 2012).

And I’m shocked that Geoff Dyer’s brilliant The Street Philosophy of Garry Winogrand (2018) didn’t make the list. The Times’ own reviewer, Jennifer Szalai, called it “visually sumptuous” and “enormously ambitious” (“Geoff Dyer Takes to the Streets with Garry Winogrand,” March 28, 2018). Dyer’s splendid opus is, for me, the best book of 2018. I’ll post my review of it in the next few weeks.   

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