How I love that “transfigured commonplace”! The passage gets at the reason I treasure Merrill’s poems – his ingenious incorporation of everyday experience into his wonderful, rippling assemblages, e.g., the carwash in his great "Overdue Pilgrimage to Nova Scotia" (The New Yorker, October 23, 1989) (“Suds glide, slow protozoa, down the pane”). Chiasson is on a roll this year: first his marvelous "Beautiful Lies" (The New Yorker, March 30, 2015), on Jorie Graham’s From the New World: Poems 1976-2014, and now his dazzling “Out of This World.” I devour everything he writes and yearn for more.
Sunday, April 19, 2015
April 13, 2015 Issue
Pick of the Issue this week is a toss-up between Rivka
Galchen’s "Weather Underground" and Dan Chiasson’s "Out of This World." Last
year, Galchen’s short piece "Medical Meals" (The New Yorker, November 3, 2014) impressed me immensely. And her
review-essay "What kind of funny is he?" (London
Review of Books, December 4, 2014), on Reiner Stach’s massive Kafka
biography, is excellent. Now, in “Weather Underground,” she tries her hand at a
fact piece – writing’s ultimate test, in my opinion – and succeeds brilliantly. It’s about man-made earthquakes in
Oklahoma. It brims with the kind of vivid, participant-observer specificity I
relish, e.g.,
Driving outside Oklahoma City one evening last November, I
ended up stopped in traffic next to an electronic billboard that displayed, in
rotation, an advertisement for one per cent cash back at the Thunderbird
Casino, an advertisement for a Cash N Gold pawnshop, a three-day weather
forecast, and an announcement of a 3.0 earthquake, in Noble County. Driving by
the next evening, I saw that the display was the same, except that the
earthquake was a 3.4, near Pawnee.
Galchen has Ian Frazier’s eye for human actuality. Here, for
example, is her description of a conference on induced seismicity led by
Oklahoma Geological Survey’s Austin Holland:
On the first day of the conference, a few dozen people were
gathered in a small room at the Sheraton: mostly scientists, but also oil and
gas representatives, insurance representatives, and civil engineers. A bus tour
of a local disposal well was cancelled, owing to icy roads. “I’ll give you the
dog and pony show that I was going to give on the bus, and then I’ll answer
questions and we’ll have a few beers,” Holland said.
That Holland quotation is inspired! Galchen’s piece abounds
with piquant details. My favorite is the “milk bottle filled with what looked
like gravel” on geology professor Todd Halihan’s desk. “ ‘That’s from the
Arbuckle,’ he said, a geological formation under Oklahoma.” My second favorite
is the observation that Oklahoma’s constitution “includes a legal definition of
kerosene.” I could go on and on quoting from this deliciously written piece.
Suffice it to say here that it’s enormously enjoyable.
Dan Chiasson’s "Out of This World," a review of Langdon
Hammer’s James Merrill: Life and Art,
is also a source of tremendous reading pleasure. Chiasson is a master of
descriptive analysis. For example, he says of Merrill,
His work is replete with the transfigured commonplace, bits
of the world reclaimed in his daily imaginative raids: an “Atari dragonfly” on
the Connecticut River, a joint smoked on a courthouse lawn, a trip to the gym,
a Tyvek windbreaker. Hammer, the chair of Yale’s English department, is first
and foremost a gifted poetry critic, which means that he knows how to tell a
story, without hype, about how poems are made, and he appreciates the irony of
an art that made ski trips and wallpaper central to American literature.
How I love that “transfigured commonplace”! The passage gets at the reason I treasure Merrill’s poems – his ingenious incorporation of everyday experience into his wonderful, rippling assemblages, e.g., the carwash in his great "Overdue Pilgrimage to Nova Scotia" (The New Yorker, October 23, 1989) (“Suds glide, slow protozoa, down the pane”). Chiasson is on a roll this year: first his marvelous "Beautiful Lies" (The New Yorker, March 30, 2015), on Jorie Graham’s From the New World: Poems 1976-2014, and now his dazzling “Out of This World.” I devour everything he writes and yearn for more.
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