Introduction

What is The New Yorker? I know it’s a great magazine and that it’s a tremendous source of pleasure in my life. But what exactly is it? This blog’s premise is that The New Yorker is a work of art, as worthy of comment and analysis as, say, Keats’s “Ode on a Grecian Urn.” Each week I review one or more aspects of the magazine’s latest issue. I suppose it’s possible to describe and analyze an entire issue, but I prefer to keep my reviews brief, and so I usually focus on just one or two pieces, to explore in each the signature style of its author. A piece by Nick Paumgarten is not like a piece by Jill Lepore, and neither is like a piece by Ian Frazier. One could not mistake Collins for Seabrook, or Bilger for Goldfield, or Mogelson for Kolbert. Each has found a style, and it is that style that I respond to as I read, and want to understand and describe.

Saturday, October 22, 2022

Postscript: Peter Schjeldahl 1942 - 2022

Peter Schjeldahl (Photo by Gilbert King) 


















This is a sad day. I've just learned of the death of Peter Schjeldahl. He died yesterday, age eighty. He’s one of my heroes. If you click on his name in the “Labels” section of this blog, you’ll find 135 references to him. There’s a fine tribute to him on newyorker.com: David Remnick, “Remembering Peter Schjeldahl, a Consummate Critic.” And there’s an excellent obituary in The New York Times: William Grimes, “Peter Schjeldahl, New York Art Critic With a Poet’s Voice, Dies at 80.” Grimes says of him, “He was first and foremost a visual pleasure seeker, on the prowl for new thrills.” I’ll always remember his response to Vermeer’s art: “Looking and looking, I always feel I have only begun to look” (“The Sphinx,” The New Yorker, April 16, 2001). That could serve as his epitaph. 

I’m going to miss Schjeldahl’s writing enormously. Fortunately, he left behind several resplendent collections, including The Hydrogen Jukebox (1991), Let's See (2008), and Hot, Cold, Heavy, Light (2019). I’ll post a longer tribute to him later. He is and always will be one of my touchstones. 

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