Introduction

What is The New Yorker? I know it’s a great magazine and that it’s a tremendous source of pleasure in my life. But what exactly is it? This blog’s premise is that The New Yorker is a work of art, as worthy of comment and analysis as, say, Keats’s “Ode on a Grecian Urn.” Each week I review one or more aspects of the magazine’s latest issue. I suppose it’s possible to describe and analyze an entire issue, but I prefer to keep my reviews brief, and so I usually focus on just one or two pieces, to explore in each the signature style of its author. A piece by Nick Paumgarten is not like a piece by Jill Lepore, and neither is like a piece by Ian Frazier. One could not mistake Collins for Seabrook, or Bilger for Goldfield, or Mogelson for Kolbert. Each has found a style, and it is that style that I respond to as I read, and want to understand and describe.

Sunday, October 30, 2022

Postscript: Gerald Stern 1925 - 2022

Gerald Stern (Photo by Frank C. Dougherty)









I see in the Times that Gerald Stern has died, age ninety-seven. He had one of the most distinctive “voices” I know of – a wild on-rushing talking voice streaming down the page. I wrote about him here, when his delightful “Warbler” appeared in the January 6, 2020, New Yorker. Over the years, the magazine published thirty-four of his poems, including the extraordinary “The World We Should’ve Stayed In” (October 6, 2014):

The clothes, the food, the nickel-coated iron
flower tables, the glass-and-wood-fluted doorknob
but most of all the baby girls holding
chicks in one arm and grapes in the other
just before the murder of the Gypsies
under Tiso the priest, Slovak, Roman Catholic,
no cousin to Andy, he Carpatho-Russian
or most of all Peter Oresick, he of Ford City,
he of Highland Park and East Liberty
Carpatho-Russian too, or just Ruthenian,
me staring at a coconut tree, I swear it,
listening late on a Saturday afternoon
a few weeks before my 88th to
airplane after airplane and reading the trailers
by the underwater lights of yon organ-shaped
squid-squirming blue and land-lost swimming pool
the noise a kind of roar when they got close
I’m watching from the fifth floor up, Warholean
here and there oh mostly on the elevator but
certainly by the pool, his European relatives
basking under his long serrated leaves
coconuts near the top—ripe and dangerous—
like Peter, coming from one of the villages inside
Pittsburgh, like me, half eastern Poland, half southern
Ukraine born in the Hill, on Wylie Avenue,
the first village east of downtown Pittsburgh,
Logan Street, the steepest street in the Hill,
two blocks—at least—a string of small stores and
Jewish restaurants, Caplan’s, Weinstein’s, I was
born at the end of an era, I hung on with
my fingers then with my nails, Judith Vollmer’s
family was Polish but they were twelve miles away from
Peter’s village, this was a meal at Weinstein’s:
chopped liver first or herring or eggs and onions, then
matzo-ball soup or noodle or knaidel, followed by
roast veal or boiled beef and horseradish
or roast chicken and vegetables, coleslaw
and Jewish pickles on the side and plates
of cookies and poppy-seed cakes and strudel,
Yiddish the lingua franca, tea in a glass,
the world we should have stayed in, for in America
you burn in one place, then another.

Wow! The connections are flying here – from “nickel-coated iron flower tables” to “the murder of the Gypsies” to Andy Warhol to Peter Oresick to “me staring at a coconut tree” to “airplane after airplane” to “reading the trailers / by the underwater lights” to “organ-shaped / squid-squirming blue and land-lost swimming pool” to an elevator to “long serrated leaves / coconuts near the top – ripe and dangerous” to “downtown Pittsburgh” to “Logan Street, the steepest street in the Hill” to “a string of small stores and / Jewish restaurants, Caplan’s, Weinstein’s” to “Judith Vollmer’s / family” to the amazing “meal at Weinstein’s” described in seven glorious lines of delectable detail – lines that make me smile every time I read them. No one else could’ve written it. Stern was a true eccentric, authentically himself in every word and line. 

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