Introduction

What is The New Yorker? I know it’s a great magazine and that it’s a tremendous source of pleasure in my life. But what exactly is it? This blog’s premise is that The New Yorker is a work of art, as worthy of comment and analysis as, say, Keats’s “Ode on a Grecian Urn.” Each week I review one or more aspects of the magazine’s latest issue. I suppose it’s possible to describe and analyze an entire issue, but I prefer to keep my reviews brief, and so I usually focus on just one or two pieces, to explore in each the signature style of its author. A piece by Nick Paumgarten is not like a piece by Jill Lepore, and neither is like a piece by Ian Frazier. One could not mistake Collins for Seabrook, or Bilger for Galchen, or Mogelson for Kolbert. Each has found a style, and it is that style that I respond to as I read, and want to understand and describe.

Saturday, October 22, 2022

Acts of Seeing: Abandoned House

Photo by John MacDougall











In this series, I look at some of my own photos and try to determine their governing aesthetic. 

Here’s one of an abandoned house that I took this summer on Prince Edward Island. I’m drawn to ruins. They speak to me of mortality. This one is a beauty. What is beautiful is the visual texture of the disintegrating cornflower-blue roof. If you could lift that roof off and hang it on a wall, you’d have a gorgeous abstract rendering of texture – the texture of time.

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