Introduction

What is The New Yorker? I know it’s a great magazine and that it’s a tremendous source of pleasure in my life. But what exactly is it? This blog’s premise is that The New Yorker is a work of art, as worthy of comment and analysis as, say, Keats’s “Ode on a Grecian Urn.” Each week I review one or more aspects of the magazine’s latest issue. I suppose it’s possible to describe and analyze an entire issue, but I prefer to keep my reviews brief, and so I usually focus on just one or two pieces, to explore in each the signature style of its author. A piece by Nick Paumgarten is not like a piece by Jill Lepore, and neither is like a piece by Ian Frazier. One could not mistake Collins for Seabrook, or Bilger for Goldfield, or Mogelson for Kolbert. Each has found a style, and it is that style that I respond to as I read, and want to understand and describe.

Thursday, August 3, 2023

July 31, 2023 Issue

The piece in this week’s issue that I enjoyed most is Robert Sullivan’s “Talk of the Town” story “Not a Shark.” It’s about an aquatic drone called WasteShark that filters urban waters for trash. Hudson River Park acquired one for use on the Hudson River. Park employees Carrie Roble and Siddhartha Hayes recently took it out for a test run. Sullivan accompanied them. He writes, 

WasteShark’s latest test run in the Hudson happened to take place on the very day that forest fires in Quebec turned New York into a Mars-scape, adding a sense of urgency to WasteShark’s mission. 

He describes the launch:

They lugged WasteShark down a gangway to a dock floating in a cove bounded by Pier 40 and the pier leading to the Holland Tunnel ventilation shaft—discharging carbon monoxide and pulling in what was passing that day for fresh air. A wake caused by a ferry buffeted the dock, sending an observer to his knees. Hayes knelt by WasteShark, touching its stern. “O.K., so these are the thrusters,” he said, pressing the start button. “I’m holding it until it’s blue.”

This being Sullivan, he’s alert to everything happening around him. He catches a bystander’s comment:

A waft of trash came up from under the pier, and a gaggle of high schoolers walked out onto the pier to take pictures of the orange sky. “It’s the end of the world,” one of them shouted—then he spotted WasteShark. “Wait, are you guys monitoring something?”

My favorite part is the ending:

After an hour, WasteShark was heaved onto the dock, and Roble and Hayes, wearing surgical gloves, picked through its haul: a baseball, bits of wood, a Diet Coke can, a water chestnut, a cigar wrapper, a toy-A.T.V. part (“Always a lot of toys,” Roble said), an amphipod, a glop of gray mush not immediately identifiable, a bag of Utz barbecue-flavored Ripples, bladder wrack, seaweed (“Good adaptation,” Hayes said), a Canada-goose gosling (deceased), a coffee-cup lid, and an Amazon bag.

Of course there’s a coffee-cup lid. No Sullivan piece would be complete without one. Sullivan is a connoisseur of coffee-cup lids: see his great 2006 travelogue Cross Country

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