Introduction

What is The New Yorker? I know it’s a great magazine and that it’s a tremendous source of pleasure in my life. But what exactly is it? This blog’s premise is that The New Yorker is a work of art, as worthy of comment and analysis as, say, Keats’s “Ode on a Grecian Urn.” Each week I review one or more aspects of the magazine’s latest issue. I suppose it’s possible to describe and analyze an entire issue, but I prefer to keep my reviews brief, and so I usually focus on just one or two pieces, to explore in each the signature style of its author. A piece by Nick Paumgarten is not like a piece by Jill Lepore, and neither is like a piece by Ian Frazier. One could not mistake Collins for Seabrook, or Bilger for Galchen, or Mogelson for Kolbert. Each has found a style, and it is that style that I respond to as I read, and want to understand and describe.

Wednesday, November 5, 2025

November 3, 2025 Issue

Pick of the Issue this week is Nathan Blum’s heartbreaking short story "Outcomes." It’s about two students at a college in Maine – a freshman who grew up nearby and a senior from New York City – who meet and form a connection. The freshman’s name is Nolan Everett and the senior’s is Heidi Lane. They meet at the climbing wall in the college rec center. Nolan works there as a belayer. Heidi registers to use the climbing wall. She’s never climbed before. Nolan teaches her. The relationship evolves. 

The story unfolds in eleven untitled segments, each a moment in the relationship. The first ten segments are told from Nolan’s point of view. The eleventh is told from Heidi’s perspective.

A theme runs lightly through the narrative – teaching. She guides him during sex. He teaches her how to belay. She teaches him about personal finances (she’s an economics major). He teaches her how to drive. Their personalities differ from each other. She knows who she is and what she wants to be. He lacks that kind of certainty. Blum says of him, “He has never really understood how people become who they become. For the most part, it seems like there’s not much you can do, and things just happen.” 

I identified with Nolan. I confess I teared up when I read segment eleven. The situation is truly heartrending. The fish hut scene at the end is inspired. The whole story is inspired – one of the best stories to appear in The New Yorker in the last twenty years. 

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