Introduction

What is The New Yorker? I know it’s a great magazine and that it’s a tremendous source of pleasure in my life. But what exactly is it? This blog’s premise is that The New Yorker is a work of art, as worthy of comment and analysis as, say, Keats’s “Ode on a Grecian Urn.” Each week I review one or more aspects of the magazine’s latest issue. I suppose it’s possible to describe and analyze an entire issue, but I prefer to keep my reviews brief, and so I usually focus on just one or two pieces, to explore in each the signature style of its author. A piece by Nick Paumgarten is not like a piece by Jill Lepore, and neither is like a piece by Ian Frazier. One could not mistake Collins for Seabrook, or Bilger for Goldfield, or Mogelson for Kolbert. Each has found a style, and it is that style that I respond to as I read, and want to understand and describe.

Wednesday, June 28, 2023

June 26, 2023 Issue

Another week, another great jazz note by Steve Futterman. This one is on the George Cables Trio, performing at the Village Vanguard. Futterman says, “With many of his peers gone, Cables is among the last of a gifted generation, still panning gold from his keyboard.” He calls Cables “a genuine national treasure.” I agree. If I lived in NYC, I’d go hear him. And if Cables asked for requests from the audience, (unlikely, but you never know), I’d ask for “In Your Own Sweet Way,” a superb Dave Brubeck song that Cables interprets sublimely on his 1998 album “Bluesology.” 

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