I’m not sure I agree. For me, meaning is found on the surface, hiding in plain sight like the purloined letter in Poe’s story. But Moss’s notion that “secrets contain within themselves a hidden spring – the compulsion to reveal them” is intriguing. Forty years after I first read it, in my boarding-house room on Dorchester Street, I’m still pondering it.
Friday, April 14, 2017
My Boarding-House "New Yorker"
I associate this particular New Yorker with a room I briefly rented in a boarding house on
Dorchester Street, Charlottetown – my first Prince Edward Island residence. I’d
brought the magazine with me from my parents’ house in Halifax, where I’d been
living while I attended Dalhousie Law School. It was my first summer on the
Island. I was articling with a Charlottetown law firm. In my memory the room’s
wallpaper is like the wallpaper in the magazine’s Robert Weber cover. But I’m
sure that can’t be right. What is
true, I’m certain, is the feeling of homelessness I experienced lying in a
strange bed, in an unfamiliar house, in a city and province that were totally
unknown to me. But, by immersing myself in The
New Yorker, I found I could forget all that. One piece in that August 1,
1977, issue transfixed me – Howard Moss’s “Great Themes, Grand Connections,” a
review of Robert Liddell’s biography Cavafy.
It contains this memorable line:
Secrets contain within themselves a hidden spring – the
compulsion to reveal them – and this compulsion has something in it of the
quality of history: the story not yet revealed, the truth under the appearance
of it, the onion skin of façade endlessly waiting to be peeled away.
I’m not sure I agree. For me, meaning is found on the surface, hiding in plain sight like the purloined letter in Poe’s story. But Moss’s notion that “secrets contain within themselves a hidden spring – the compulsion to reveal them” is intriguing. Forty years after I first read it, in my boarding-house room on Dorchester Street, I’m still pondering it.
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