Introduction

What is The New Yorker? I know it’s a great magazine and that it’s a tremendous source of pleasure in my life. But what exactly is it? This blog’s premise is that The New Yorker is a work of art, as worthy of comment and analysis as, say, Keats’s “Ode on a Grecian Urn.” Each week I review one or more aspects of the magazine’s latest issue. I suppose it’s possible to describe and analyze an entire issue, but I prefer to keep my reviews brief, and so I usually focus on just one or two pieces, to explore in each the signature style of its author. A piece by Matthew Trammell is not like a piece by James Wood, and neither is like a piece by Peter Schjeldahl. One could not mistake Finnegan for Frazier, or Lepore for Paumgarten, or Goodyear for Khatchadourian. Each has found a style, and it is that style that I respond to as I read, and want to understand and describe.

Wednesday, December 24, 2014

Photos and Illustrations 2014


Riccardo Vecchio, "The Fugitive" (Detail)












The New Yorker is, of course, a great read. But it’s also an immense pleasure to look at. From 2014’s rich yield of New Yorker photos and illustrations, I’ve chosen twelve favorites:

1. David Black’s “Seu Jorge” (“Goings On About Town,” November 17, 2014)



















2. Bendik Kaltenborn’s “The New Music Bake Sale” (“Goings On About Town,” March 17, 2014)



















3. Pari Dukovic’s “Scarlett Johansson” (for Anthony Lane’s “Her Again,” March 24, 2014)


















4. Michael Gillette’s “Jo Nesbø” (for Lee Siegel’s “Pure Evil,” May 12, 2014)



















5. Grant Cornett’s “Jason Mleczko” (for Tad Friend’s “Thicker Than Water,” February 10, 2014)



















6. Riccardo Vecchio’s Elizabeth Harrower (for James Wood’s “No Time For Lies,” October 20, 2014)



















7. Ethan Levitas’s “Hospitality and Pannonia Quartet” (“Goings On About Town,” February 3, 2014)



















8. Leo Espinosa’s “The Office Through the Ages” (for Jill Lepore’s “Away From My Desk,” May 12, 2014)



















9. Dan Winters’s “Pardis Sabeti and Stephen Gire” (for Richard Preston’s “The Ebola Wars,” October 27, 2014)
















10. Edwin Fotheringham’s “The Trip to Italy” (for David Denby’s “Lasting Impressions,” September 1, 2014)













11. Carolyn Drake’s “Anya Fernald” (for Dana Goodyear’s “Élite Meat,” November 3, 2014)















12. Conor Langton’s “Magic in the Moonlight” (for David Denby’s “Under the Spell,” July 28, 2014)


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