Tuesday, May 29, 2012
May 21, 2012 Issue
Of The New Yorker’s many wonderful departments (e.g., Our
Local Correspondents, Onward and Upward with The Arts, Profiles, Annals of
Science, A Critic at Large), my favorite is Personal History. I like it because
it shows excellent writers trying to make sense of some aspect of their past.
Reading Personal History pieces, I sometimes make associations with my own
past. Examples of recent Personal History articles that I’ve enjoyed immensely
are: John McPhee’s “The Patch” (February 8, 2010), James Wood’s “The Fun Stuff”
(November 19, 2010), Gabrielle Hamilton’s “The Lamb Roast” (January 17, 2011),
Calvin Trillin’s “My Repertoire” (November 21, 2011), Aleksandar Hemon’s
“Mapping Home” (December 5, 2011), Donald Hall’s “Out the Window” (January 23,
2012), and Jeremy Denk’s “Flight of the Concord” (February 6, 2012). This
week’s issue of the magazine contains a beauty – Peter Hessler’s “Identity
Parade.” It’s a strange piece - part autobiography, part police procedural (it even has a hint of suspense). It describes Hessler’s participation in police lineups
during his student days at Oxford. I don’t recall ever before reading about
this particular aspect of the legal system. Hessler recalls his involvement
right down to the feel of sweat running down his back as he “tried to look as
guilty as possible.” His description of the process is fascinating. But what
most intrigued me about it is Hessler’s self-examination, his candid, introspective portrait of himself as a mixture of good and bad impulses. He talks about deliberately breaking
some of Oxford’s many rules (e.g., wearing shorts under his long gown, drinking
at an off-limit pub, refusing to attend a practice examination). He says:
I never fit in at Oxford. I was there on a Rhodes
Scholarship, and I allowed this identity to become a burden, for reasons that
now seem childish. At the time, I knew that I had been a weak candidate for the
scholarship, which was why I had been placed in such an obscure college.
I mirrored off this passage. I didn’t fit in at the
university I attended. As in Hessler’s case, I was a loner. Hessler says, “I
never met any other students or Americans at the St. Aldates station [where the
lineups took place], which was one reason I liked going.” His description of
his “last parade” is amazing. Here’s an excerpt:
And then there was a slight movement on the left edge of the
glass. The one-way mirror wasn’t perfect; you couldn’t see clearly through the
glass, but it was possible to tell if there was a presence behind it. A dark
spot appeared and then it shifted to the right, crossing the row of reflected
faces, as subtle as a shadow in an aquarium. Next to me the suspect breathed
harder. A couple of times, his wind caught in his throat, almost like a sob,
and now I felt him trembling. My right leg was pressed against his chair, and
tiny thrills of vibration ran up through the metal. What did that feel like, to
be a suspect in a parade, to be the only one shaking, the only one with a real
mustache? I resisted the urge to turn and look; I kept my eyes straight ahead.
That “subtle as a shadow in an aquarium” is very fine. The
whole passage is inspired! Hessler has written three previous New Yorker pieces I admire enormously: “Oracle Bones” (February 16 & 23, 2004); “Hutong
Karma” (February 13, 2006); “Walking the Wall” (May 21, 2007). His superb “Identity
Parade” now joins the list.
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