Fact/Truth/Creativity

A special shout-out to Lee Gutkind for his observation yesterday in the Los Angeles Review of Books that “it’s possible to write terrific nonfiction narrative and stay steadfast to both truth and fact. One can be creative and truthful simultaneously. It just takes a lot more work” (“Doing A D’Agata,” March 19, 2012). Yes, factual writing is the more challenging art form. It’s refreshing to see this point being made. Writing a fact piece is, in a way, like writing a sonnet: the rule of the form must be obeyed. And the rule that governs factual writing is that the facts can’t be messed with. Everything else – design, voice, perspective, syntax, choice of detail, etc. – is fair game. As the great New Yorker writer John McPhee said in his Paris Review interview: “With nonfiction, you’ve got your material, and what you’re trying to do is tell it as a story in a way that doesn’t violate fact, but at the same time is structured and presented in a way that makes it interesting to read” (The Paris Review, Spring, 2010).

Credit: The above artwork is by Henrik Kubel; it appears in The New York Times Sunday Book Review (February 26, 2012), as an illustration for Jennifer B. McDonald's "In the Details."