The New Yorker & Me: Inspired Sentence #4

Introduction

What is The New Yorker? I know it’s a great magazine and that it’s a tremendous source of pleasure in my life. But what exactly is it? This blog’s premise is that The New Yorker is a work of art, as worthy of comment and analysis as, say, Keats’s “Ode on a Grecian Urn.” Each week I review one or more aspects of the magazine’s latest issue. I suppose it’s possible to describe and analyze an entire issue, but I prefer to keep my reviews brief, and so I usually focus on just one or two pieces, to explore in each the signature style of its author. A piece by Nick Paumgarten is not like a piece by Jill Lepore, and neither is like a piece by Ian Frazier. One could not mistake Collins for Seabrook, or Bilger for Galchen, or Mogelson for Kolbert. Each has found a style, and it is that style that I respond to as I read, and want to understand and describe.

Thursday, June 26, 2025

Inspired Sentence #4

The land sharpens to a last dark-forested point, and beyond it the horizon widens into ocean and the co-motion of sky and water is lost in a white, grainy light, and there the river’s last trace is slow-vanishing spirals in the water, shallowing as they slip on; now just faint dints in the water’s pewter, now shined flat.

This is from Part III of Robert Macfarlane’s Is a River Alive? (2025), which I’m currently reading. Part III is called “The Living River.” It’s my favorite section of the book. It’s about a kayak trip that Macfarlane and four others take down the Mutehekau Shipu River in the Nitassinan territory of eastern Quebec. The above quotation is a description of the Mutehekau Shipu’s mouth, where it empties into the Gulf of St. Lawrence. Macfarlane is a superb describer. That “now just faint dints in the water’s pewter, now shined flat” is very fine.

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READINGS

Adam Shoalts, "Beyond the Trees" (2019)
Adam Weymouth, "Kings of the Yukon" (2018)
Aleksandar Hemon, "The Book of My Lives" (2013)
Andrea Barrett, "Dust and Light" (2025)
August Kleinzahler, "Sallies, Romps, Portraits and Send-Offs" (2017)
Ben McGrath, "Riverman" (2022)
Bill Buford, "Dirt" (2020)
Burkhard Bilger, "Fatherland" (2023)
C. K. Williams, "On Whitman" (2010)
Charles Simic, "The Life of Images" (2015)
Colm Tóibín, "On Elizabeth Bishop" (2015)
Curtis Sittenfeld, "Show Don't Tell" (2025)
Curtis Sittenfeld, "You Think It, I'll Say It" (2018)
Eleanor Cook, "Elizabeth Bishop at Work" (2016)
Geoff Dyer, "Otherwise Known as the Human Condition" (2011)
Geoff Dyer, "See/Saw" (2021)
Geoff Dyer, "The Last Days of Roger Federer" (2022)
Geoff Dyer, "The Street Philosophy of Garry Winogrand" (2018)
Geoff Dyer, "White Sands" (2016)
Gideon Lewis-Krauss, "A Sense of Direction" (2012)
Helen Vendler, "Last Looks, Last Books" (2010)
Helen Vendler, "The Ocean, the Bird and the Scholar" (2015)
Ian Frazier, "Hogs Wild" (2016)
Ian Frazier, "Paradise Bronx" (2024)
Ian Frazier, "Travels in Siberia" (2010)
Ian Penman, "It Gets Me Home, This Curving Track" (2019)
James Wolcott, "Critical Mass" (2013)
James Wood, "Serious Noticing" (2019)
James Wood, "The Fun Stuff" (2012)
James Wood, "The Nearest Thing to Life" (2015)
Janet Malcolm, "Forty-one False Starts" (2013)
Janet Malcolm, "Iphigenia in Forest Hills" (2011)
Janet Malcolm, "Nobody's Looking at You" (2019)
Janet Malcolm, "Still Pictures" (2023)
Jill Lepore, "Joe Gould's Teeth" (2015)
Jill Lepore, "The Deadline" (2023)
Joanna Biggs, "A Life of One's Own" (2023)
John Lahr, "Joy Ride" (2015)
John McPhee, "Draft No. 4" (2017)
John McPhee, "Silk Parachute" (2010)
John McPhee, "Tabula Rasa" (2023)
John McPhee, "The Patch" (2018)
John Updike, "Always Looking" (2012)
John Updike, "Higher Gossip" (2011)
Jonathan Franzen, "The End of the End of the Earth" (2018)
Jonathan Kramnick, "Criticism & Truth" (2023)
Jonathan Raban, "Driving Home" (2010)
Joyce Carol Oates, "In Rough Country" (2010)
Judith Thurman, "A Left-Handed Woman" (2022)
Julian Bell, "Van Gogh" (2015)
Keith Gessen, "A Terrible Country" (2018)
Lawrence Osborne, "The Wet and the Dry" (2013)
Leo Steinberg, "Picasso" (2022)
Mark Doty, "The Art of Description" (2010)
Martin Amis, "The Rub of Time" (2018)
Michael Hofmann, "Where Have You Been?" (2014)
Morten Strøksnes, "Shark Drunk" (2018)
Nicholson Baker, "Finding a Likeness" (2024)
Nicholson Baker, "The Way the World Works" (2012)
Patrick McGuinness, "Other People's Countries" (2014)
Per Petterson, "I Curse the River of Time" (2010)
Peter Hessler, "Strange Stones" (2013)
Peter Schjeldahl, "Hot, Cold, Heavy, Light" (2019)
Peter Schjeldahl, "The Art of Dying" (2024)
Robert Hass, "What Light Can Do" (2012)
Robert Macfarlane, "Is a River Alive?" (2025)
Robert Macfarlane, "The Old Ways" (2012)
Robert Sullivan, "Double Exposure" (2024)
Roger Angell, "This Old Man" (2015)
Samanth Subramanian, "Following Fish" (2010)
Svetlana Alpers, "Is Art History?" (2024)
Svetlana Alpers, "Walker Evans" (2020)
T. J. Clark, "Heaven on Earth" (2018)
T. J. Clark, "If These Apples Should Fall" (2022)
T. J. Clark, "Picasso and Truth" (2013)
T. J. Clark, "Those Passions" (2025)
Timothy Hampton, "Bob Dylan: How the Songs Work" (2019)
Verlyn Klinkenborg, "More Scenes from the Rural Life" (2013)
Wayne Koestenbaum, "My 1980s & Other Essays" (2013)
William Atkins, "The Moor" (2014)
Zadie Smith, "Feel Free" (2018)