Introduction

What is The New Yorker? I know it’s a great magazine and that it’s a tremendous source of pleasure in my life. But what exactly is it? This blog’s premise is that The New Yorker is a work of art, as worthy of comment and analysis as, say, Keats’s “Ode on a Grecian Urn.” Each week I review one or more aspects of the magazine’s latest issue. I suppose it’s possible to describe and analyze an entire issue, but I prefer to keep my reviews brief, and so I usually focus on just one or two pieces, to explore in each the signature style of its author. A piece by Nick Paumgarten is not like a piece by Jill Lepore, and neither is like a piece by Ian Frazier. One could not mistake Collins for Seabrook, or Bilger for Goldfield, or Mogelson for Kolbert. Each has found a style, and it is that style that I respond to as I read, and want to understand and describe.

Saturday, September 3, 2022

Kevin Barry's "Night Boat to Tangier"

Not often do I post about novels. That’s because I’m generally not a fan. There’ve been exceptions. Per Petterson’s I Curse the River of Time comes to mind. Now there’s another – Kevin Barry’s Night Boat to Tangier. I recognize a brilliant stylist when I see one. Barry is the real deal. Samples:

The years are rolling out like tide now.

His aura is of brassy menace.

I fucken hate ignorance, he says.

From the glare of the arclights, the lingering of pollutants and the refraction of heat left by the late October sun, the air is thick and smoky, and it makes the night glow a vivid thing, and dense.

An attack dog barks a yard of stars.

They exchange a dry look.

The bar awaits grimly beneath the glare of its strip lights. It runs the thread of its voices.

The head waiter looked like a ’tacheless Salvador Dali and drank a ball of coñac and was sustained.

The city ran a swarm of fast anchovy faces.

The hours were heavy and cumbersome and moved by like old horses.

The barman drooped a heavy eye over the football pages. He had the look of a long shift off him.

A dead hotel was chained up, its windows blind.

That’s enough to give you a taste. Oh yes, and this beauty:

He drank Powers whiskey from a naggin clamped between his thighs and slowed for the bends that he knew by touch.

What’s it about? Drugs, sex, violence. Need I say more? Just finished chapter eight, “The Judas Iscariot All-Night Drinking Club.” What an extraordinary piece of writing! Haven’t read anything like it since the knife fight in Cormac McCarthy’s Cities of the Plain. Barry’s style crosses McCarthy on Tarantino. Beware! Fucken addictive. 

Postscript: The New Yorker recently ran a terrific Kevin Barry short story – “The Pub with No Beer.” That’s where I first encountered him.

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