Introduction

What is The New Yorker? I know it’s a great magazine and that it’s a tremendous source of pleasure in my life. But what exactly is it? This blog’s premise is that The New Yorker is a work of art, as worthy of comment and analysis as, say, Keats’s “Ode on a Grecian Urn.” Each week I review one or more aspects of the magazine’s latest issue. I suppose it’s possible to describe and analyze an entire issue, but I prefer to keep my reviews brief, and so I usually focus on just one or two pieces, to explore in each the signature style of its author. A piece by Nick Paumgarten is not like a piece by Jill Lepore, and neither is like a piece by Ian Frazier. One could not mistake Collins for Seabrook, or Bilger for Galchen, or Mogelson for Kolbert. Each has found a style, and it is that style that I respond to as I read, and want to understand and describe.

Wednesday, July 13, 2022

July 4, 2022 Issue

Pick of the Issue this week is Annie Proulx’s marvelous “Swamped,” a celebration of her love of the complex world of swamps. Blue herons (one of which fatally stabs a man in the eye), mayflies, alligators, wood warblers, owls, dragonflies, a large bobcat, the Okefenokee Swamp, sphagnum moss, the Great Black Swamp, the Yellow Emperor moth, the Maumee River, the Limberlost Swamp, mangroves – just some of the fascinating creatures, plants, and places appearing in this cabinet-of-wonders personal essay. My favorite parts are Proulx’s accounts of her own swamp experiences. This one, for example:

My most intimate swamp experience came one summer when I lived in a remote and ramshackle house in Vermont with a beaver-populated swamp half a mile down in the bottomland. I went to the swamp almost every day by a circuitous route through the woods, passing a patch of pitcher plants and two or three sundews, across a brook, following the beavers’ tree-drag ruts to an old stick dam. There were trout in this swamp and beautiful painted turtles. I watched the amazing acrobatics of dragonflies with disbelief that they were actually doing what I saw them do. Even when I sat on the back porch high above the swamp I thought I could catch the green smell of bruised lily pads.

Once, after weeks away, I came back to the house in the late afternoon. I had started reading Norman Maclean’s story “A River Runs Through It” on the plane ride home and decided to read to the end before I went inside the house. It was an utterly quiet, windless day, the light softening to peach nectar. I read the last page and its famous final line, “I am haunted by waters.” I closed the book and looked toward the swamp. Sitting on a stone wall fifteen feet away was a large bobcat who had been watching me read. When our eyes met, the cat slipped into the tall grass like a ribbon of water, and I watched the grass quiver as it headed down to the woods, to the stream, to the swamp.

That “I thought I could catch the green smell of bruised lily pads” is very fine. The whole piece is terrific. I enjoyed it immensely. 

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