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| Mark Ulriksen, "Strike Zone" (2017) |
Mark Ulriksen has created some of The New Yorker’s greatest covers – where great means bold, beautiful, cool, kinetic, witty, original, color-drenched. San Francisco’s Modernism gallery is currently showing twenty of his paintings and works on paper, including the terrific “Strike Zone,” my choice for 2017’s Best Cover of the Year (see here).
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